Portfolio > Vigil

Relic (detail)
Folded screenprinted glassine on fabric, resin cast of irons, foam core
2019
Relic
Folded screenprinted glassine on fabric, resin casts of irons, foam core
96"x60"
2019
Messengers (detail)
Screenprint on folded glassine, pins, resin casts of antique cups and bowls
2019
Messengers (detail)
Screenprint on folded glassine, pins, resin casts of antique cups and bowls
2019
Messengers
Screenprint on folded glassine, pins, resin casts of antique cups and bowls
108"x96"
2019
Vigil (detail)
Screenprint on drafting film
2018
Vigil (detail)
Screenprint on drafting film
2018
Vigil
Screenprint on drafting film
Dimensions vary
2018
Migration (detail)
Screenprint on round wood panels, acrylic paint, screenprint on drafting film
2018
Migration (detail)
Screenprint on round wood panels, acrylic paint, screenprint on drafting film
Individual: 14"x14"x1/2"
2018
Migration (detail)
Screenprint on round wood panels, acrylic paint, screenprint on drafting film
Individual: 14"x14"x1/2"
2018
Migration (detail)
Screenprint on round wood panels, acrylic paint, screenprint on drafting film
Individual: 14"x14"x1/2"
2018
Migration
Screenprint on round wood panels, acrylic paint, screenprint on drafting film
Dimensions vary
2018
Migration
Screenprint, acrylic paint, ink on round wood panel
Dimensions vary
2019
Fortune Teller (detail)
Screenprint, mannequin, folded paper, fishing line
2018
Fortune Teller (detail)
Screenprint, mannequin, folded paper, fishing line
2018
Fortune Teller
Screenprint, mannequin, folded paper, fishing line
Dimensions vary
2018
Studio Visit
Screenprint on handmade paper
12”x9”
2018
Studio Visit
Screenprint on handmade paper
12”x9”
2018
Studio Visit
Screenprint on handmade paper
12”x9”
2018
Migration
Graphite and pen drawing on archival paper
30" x 22"
2018
Fallen
Graphite and pen drawing on archival paper
30" x 22"
2018
Woven
Graphite and pen drawing on archival paper
30" x 22"
2018
Excerpt from The Magus by John Fowles
Screenprint on Yupo
20" x 15"
2018

Interview in The American Scholar on the Vigil Series
theamericanscholar.org/amelia-hankin/#.?

Excerpt from The Magus:

She is silent, she will never speak, never forgive, never reach a hand, never leave the frozen present tense. All waits, suspended. Suspend the autumn trees, the autumn sky, anonymous people. A blackbird, poor fool, sings out of season from the willows by the lake. A flight of pigeons over the houses; fragments of freedom, hazard, an anagram made flesh. And somewhere the stinging smell of burning leaves.

Cras amet qui numquam amavit quique amavit cras amet

“Tomorrow let him love, who has never loved; he who has loved, let him love tomorrow.”
“The Vigil of Venus.” 3rd Century AD

My current body of work is a response to this passage, a passage that I interpret as the brief, reflective silence when every detail is magnified. It’s the human condition of reflection, regret, and emotional need, come to life in this prose. With this excerpt in mind, my work references a superstitious belief system that helps to quiet the “what ifs” and unpredictability of the every day. From picking up a penny for good luck to holding my breath past a graveyard, I find comfort in these actions, unwilling to take chances on habits ingrained from childhood, despite how irrational they may be. Through repetitive imagery rendered in fine detail, I question the tipping point between harmless acts of routine and the human obsession with order, manifested in these rituals.